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Introduction to I Hear A Symphony
We talk about it, cry about it, write songs about it, "mph, mph, mph" about it in church or at the hairdresser's, but what do we do about the love in our lives? How do we begin to understand, to grasp and hold on to the love we feel for ourselves, our families and friends, our communities?

Love does not spring up, fully formed, out of a vacuum. It does not exist in isolation. We cannot love other human beings without first loving and accepting ourselves. And until we remember, cherish, and celebrate the miracles we truly are in this universe, in our Blackness and our position as children of God, no other love is possible.

So says Bebe Moore Campbell as she reminds us of the beauty we must tap in our own Black selves, the truths we must tell to regain the meaning behind the rhetoric of self-love and well-being. So say James A. Emanuel and Mari Evans, important voices who tell truths as relevant today as they were over twenty years ago. So say Howard Thurman and Brenda Tapia, who remind us of the spiritual foundations of love and our connection to Spirit so essential to our ability to love and achieve in life. And so say Haki Madhubuti, W E. B. Du Bois, Naomi Long Madgett, and Ruth Forman, who remind us of the majesty we bring to the table of loving as African-American men and women.

One of the fallacies in our quest for the knowledge of who and whose we are is to believe that another person, place, or thing can substitute for the work we must do with ourselves, the inner realization of our role in the world. Both Terry McMillan and Langston Hughes give us stirring examples of how we make, and can unmake, that mistake.

And, finally, when we look into the cosmos, through Charles Chesnutt's words, we see the dark and shining light of our being. In this first movement toward a renewal of African-American love let us recognize, celebrate, and protect the wonder and glory that shine within our eyes at all costs. The price for not doing so is way too high.
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Contents of this site Copyright © 2001, 2003 by Paula L. Woods.